Téléchargez gratuitement notre eBook "Pour une stratégie d'entreprise éco-responsable"
télécharger
French
French
Les opérations de Carve-Out en France
DÉcouvrir
Découvrez le Livre Blanc : "Intelligence artificielle : quels enjeux juridiques"
DÉcouvrir
Intelligence Artificielle : quels enjeux juridiques ?
Actualité
25/3/25

AI and copyright: what future for the UK government's consultation?

The UK government's consultation launched on 17 December 2024 and closed on 25 February 2025 on copyright and artificial intelligence (AI), proposes a controversial change to copyright law. One of the key proposals is an exception to copyright for text and data mining (TDM), allowing AI developers to use copyrighted works to train AI models without the need for a licence to use them, unless rights holders explicitly object (opt-out).

Current UK law is not particularly favourable to AI training 

Under section 16 of the UK Copyright, Designs and Patents Act 1988 (CDPA), copyright owners in the UK enjoy exclusive rights, in particular in relation to reproduction [section 16(1)(a)], public performance or exhibition [section 16(1)(d)] and adaptation [section 16(1)(e)]. However, these exclusive prerogatives are now being undermined by the emergence of works generated by artificial intelligence. Indeed, AI, which uses copyright-protected elements as training data, comes into direct tension with this regime, as the CDPA makes no specific provision applicable to this technology.

To date, only two exceptions could be invoked by AI developers to legally legitimise their practice:

  • The very restrictive exception provided for in Article 29A of the CDPA, allowing text and data mining (TDM) only for non-commercial purposes and limited to data mining.
  • The "Fair Dealing" exception provided for in Article 30 (the British equivalent of the American "fair use"), authorising under strict conditions certain limited uses of protected works without infringing copyright, in particular for the purposes of criticism, review, quotation or news reporting. Thus, in the specific context of criticism or review (article 30(1)), the use must be "fair", relate to a work accessible to the public, and be used fairly (fair dealing). In other words, the work protected by copyright must not be :
    • not used more than necessary to create the secondary work
    • is likely to be significantly lower than the work as a whole;
    • the review does not replace the original work protected by copyright; 
    • and the criticism or review does not interfere with the market for the original work protected by copyright.

It will therefore be up to the UK courts to determine whether the training of artificial intelligence systems can effectively benefit from the Fair Dealing exception provided for in Article 30.

One of the very first disputes over training data to come before the UK courts, which was brought back in 2023, Getty Images & Others v. Stability AI, is a particularly revealing case of what is at stake. In this case, Getty Images accused Stability AI of copyright infringement, claiming that it had trained its artificial intelligence model, Stable Diffusion, using millions of images protected by copyright without authorisation or licence. Getty Images argues that this constitutes an infringement of its exclusive right of reproduction under the Copyright, Designs and Patents Act 1988 (CDPA), amounting to unauthorised copying.

In response, Stability AI challenged the jurisdiction of the UK courts, arguing that the training of its model was carried out outside the UK. It also invoked the fair dealing exception, arguing that the disputed use was a "pastiche", constituting a form of criticism, and thus serving the public interest, which would bring it within the scope of Article 30 of the CDPA.

The High Court, presided over by Judge Joanna Smith, rejected the territorial incompetence argument raised by Stability AI, pointing out that acts such as the distribution of the AI model on platforms accessible from the UK were sufficient to establish the jurisdiction of the UK courts. The court also found plausible the claimants' allegations that training the AI would necessarily involve copying protected works. In addition, it held that Stability AI's defence of fair dealing was not sufficiently robust at this stage to allow the case to be dismissed early.

The UK's position on the regime applicable to the training of artificial intelligences using works protected by Copyright will therefore depend directly on the outcome of Getty Images v. Stability AI in the absence of legislative change

Some of the images generated by Stability AI retained the Getty Images filter, demonstrating the training of AI data on the Getty Image database

Les 4 options évoquées par la proposition du gouvernement labour britannique

The 4 options set out in the UK Labour Government's proposal

The UK Government's consultation on copyright and AI sets out four options for addressing the use of copyrighted material in AI training, each balancing the interests of rights holders and AI innovation differently :

  • Option 0: Do nothing - This option preserves the existing legal framework, which requires licences for AI training, unless an exception applies. It does not propose any new mechanisms for rights holder control, access to AI companies or transparency, which risks prolonging legal uncertainty and litigation.
  • Option 1: Strengthen copyright - This option imposes explicit licences for training AI models on copyrighted works in the UK, and extends this requirement to companies offering services in the UK, even if the training takes place overseas. While protecting rights holders, the government notes that this option could harm the UK's global competitiveness in AI due to increased costs and legal hurdles, making it an unlikely choice.
  • Option 2: Reduce copyright and allow AI to train freely - a broad exception for data mining. Previously proposed in 2022, this option allows unrestricted AI training on copyright-protected material, without rights holders being able to opt out. In the face of strong opposition from the creative industries, this option was shelved and does not appear to have current support1.

Option 3: The EU approach: Either the creation of an exception for data mining with reservation of rights and transparency. This option allows AI developers to train on legally accessible material, such as online content, unless rights holders explicitly reserve their rights through machine-readable tools. It includes transparency requirements, such as disclosure of training datasets, and is considered a balanced approach, echoing the EU opt-out model under Article 4 of the Digital Single Market Directive (DAMUN) .

Option 3 appears to be the Labour Government's preferred route, aiming to foster the growth of AI while providing rights holders with a practical means of protecting their works. Option 3 aligns with the model of withdrawal from the EU, in line with Labour's tendency to strengthen cooperation with the EU under its leadership.

The British music world has rallied strongly against this proposal

The UK's creative industries are an economic powerhouse, contributing over £126 billion a year (DCMS, 2023) and employing 2.4 million people, and have mobilised massively against this consultation. The creative community has mobilised strong opposition, with major players and grassroots efforts highlighting the issues at stake:

  • Sony Music: Sony Music, one of the main opponents of the proposals, has removed more than 75,000 AI-generated tracks from its platforms by 2024, citing threats to artists' livelihoods and the creative economy (£7.6 billion in music alone). The company described the policy as "hasty, unbalanced and irreversible", warning that a flood of low-quality AI content could drown out authentic works.
  • Silent album protest: Over 1,000 musicians, including Kate Bush, Annie Lennox, Damon Albarn and Thom Yorke, have released Is This What We Want, a silent album of empty studio recordings, in December 2024. This symbolic act, supported by the musicians' union, is a protest against the potential "silencing" of artists' voices, with proceeds going to Help Musicians.
  • Famous British musicians, actors and celebrities: A petition signed by more than 37,500 people, including actors Julianne Moore, Hugh Bonneville and Stephen Fry, as well as celebrities such as film-maker Beeban Kidron and novelist Kate Mosse, condemned the proposals as a "major and unfair threat" to creators' livelihoods. The Creative Rights in AI Coalition (Crac), which includes the British Phonographic Industry, the Society of Authors and media outlets such as the Guardian, also rejected the TDM exception and argued for stricter enforcement of existing laws.

These initiatives reflect a united front against what many see as an existential risk to the UK's cultural heritage and economic stability.

Kate Bush, Imogen Heap, Damon Albarn

The silent album project

Training AI systems and copyright: a major geopolitical issue

The international regulation of artificial intelligence (AI), particularly in terms of copyright and text and data mining (TDM), is part of a geopolitical context in which governments are seeking to attract innovative companies while protecting their creative industries that hold copyrights. In the United States, the Trump administration, at the request of OpenAI in particular, seems tempted to relax copyright protection rules in order to encourage AI training, with a view to competing with China, where the legal constraints on the use of protected data are much weaker.

Internationally, regulatory approaches diverge considerably, directly influencing innovation and national economic strategies. On the one hand, some countries such as China and the United Kingdom (under its current legal framework) impose strict regimes, generally requiring specific licences for CT activities, thereby providing strong protection for rights holders but risking stifling innovation. In contrast, the European Union seeks to strike a balance by permitting CT, while allowing rights holders to exercise control via an opt-out mechanism. In the United States, the flexibility of the fair use regime facilitates TDM but generates considerable legal uncertainty, as illustrated by ongoing litigation such as New York Times v. OpenAI and Cohere or the resolved case of Thomson Reuters v. Ross Intelligence

Finally, some countries, notably the United Arab Emirates (UAE), Singapore and Japan, are adopting a proactive strategy by minimising regulatory constraints to attract companies specialising in AI. The UAE stands out in particular through its "AI Strategy 2031", an ambitious plan for targeted investment in infrastructure, education and innovation in artificial intelligence. This is complemented by attractive tax incentives, including specific exemptions and benefits in free trade zones, as well as strong support for start-ups through incubators and accelerators, creating a particularly favourable environment for the rapid development of an entrepreneurial ecosystem dedicated to AI. In Japan2, there is a broad exception for TDM, which applies even if it is commercial. In Singapore, TDM is authorised quite widely for "computational analysis"3. These countries could therefore attract the next generation of AI talent, much to the chagrin of countries with overly protectionist copyright regulations. 

The UK government has yet to announce the next stage of the Copyright Act consultation, and the creative and AI industries are on the lookout for any changes across the Channel

This British proposal confirms, if confirmation were needed, that taking account of intellectual property in the training of AI systems is now a major geopolitical issue - a first in the history of intellectual property.

Vincent FAUCHOUX / Benjamin KAHN
Image par AXP Photography
Découvrez l'eBook : Les opérations de Carve-Out en France
Télécharger
Découvrez le Livre Blanc : "Intelligence artificielle : quels enjeux juridiques"
Télécharger
Intelligence Artificielle : quels enjeux juridiques ?

Abonnez vous à notre Newsletter

Recevez chaque mois la lettre du DDG Lab sur l’actualité juridique du moment : retrouvez nos dernières brèves, vidéos, webinars et dossiers spéciaux.
je m'abonne
DDG utilise des cookies dans le but de vous proposer des services fonctionnels, dans le respect de notre politique de confidentialité et notre gestion des cookies (en savoir plus). Si vous acceptez les cookies, cliquer ici.